Debussy/Arr Stallman - Six Épigraphes Antiques for flute and piano
or make 4 interest-free payments of $15.74 AUD fortnightly with More info
Duration: 15. min.
Debussy’s lifelong attraction to the exotic—more specifically, to Greek mythology and Asian and African culture—is well known. His sense of fantasy is well reflected in these affecting reveries, the Six Épigraphes Antiques. Debussy composed this suite of pieces in 1914 in two versions: one for piano four-hands and another for two hands. It is interesting to note that the first four of the Épigraphes derive from his Chansons de Bilitis, written fifteen years earlier and set for spoken voice, two flutes and two harps—incidental music to poems by his friend Pierre Louÿs. What had originally been a composition of scattered musical fragments interspersed with recited poetry, was later transformed into a minor masterpiece for piano. To create a complete suite of pieces, Debussy composed the last two epigraphs afresh.
Taken all together, the Épigraphes can be experienced as six individual “primitive” expressions: an invocation (I and also the close of VI), an incantation (III), three dedications (II, IV and V) and a joyous prayer of thanksgiving (VI). The haunting Pour un tombeau sans nom and the brooding and sensuous Pour l’Égyptienne are deftly contrasted by the delicacy and subtle rapture of the remaining pieces. In the concluding movement, Debussy’s depiction of rain (the ostinato piano figure marked doux et monotone) cannot be matched for its simplicity and painterly realism—a stroke of genius from a great composer who hated being tagged as an “Impressionist”, although he is just that, and more.
Each of these expressive vignettes is ideally suited to the flute, an instrument that Debussy was particularly drawn to because of its primal nature, as well as its potential for subtlety and vocal intimacy. With the Six Épigraphes, we flutists can now expand our repertoire by adding another important work to Debussy’s two well-known compositions for flute: Syrinx and the Sonata for Flute, Viola and Harp.
“Toujours plus haut!” (Debussy’s personal credo)
July 12, 2018