{"title":"AMEB Flute L Mus","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSection I. Studies and pieces Candidates must present a varied and balanced programme of between 40 and 50 minutes’ duration, including gaps between the pieces. Candidates must select at least one piece from each of lists A, B, C and D. Additional works needed to fulfil the time requirement may be selected from any of these lists. Candidates must ensure that the entire programme can be performed within the maximum time given.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCandidates for the Licentiate examination must present one work from their programme from memory; presentation from memory beyond this requirement in the Licentiate examination is at the discretion of the candidate.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCopies of works presented in the Certificate of Performance, Associate and Licentiate examinations must be provided for use by the examiners.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCandidates may elect to present works from List E (orchestral excerpts) in preference to any one of lists A, B, C or D. Candidates presenting orchestral excerpts must prepare all works on the list.\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"fluteworthy-99-solos-and-studies-for-flute","title":"Fluteworthy - 99 Solos and Studies for Flute","description":"\u003cp\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"From the thousands of studies and solo pieces written in the past four centuries, we have selected the 99 of the most enjoyable pieces for both teacher and student. Collated in a broadly progressive order from approximately AMEB 2nd grade to Diploma Level, the pieces cover all areas of technique, tone, articulation, dynamics, finger dexterity etc. Metronome speeds, articulation, dynamics and breaths are suggested but as the level of difficulty increases these editorial marks are phased out to encourage the advanced student to make technical and musical decisions.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e99 Solos and Studies for Flute.\u003cbr\u003eEdited by Christine Draeger, Jocelyn Fazzone and Lamorna Nightingale\u003cbr\u003eThis progressive collection of solos and studies for the beginner to advanced flute player are stylistically diverse and fun to play.\u003c\/p\u003e","brand":"Syrinx Music","offers":[{"title":"Default Title","offer_id":36929060868,"sku":"99solos","price":52.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1548\/4529\/files\/Tech_99_Studies_345x_2x_e15b9fc9-bd99-4586-851c-e244444b46c9.webp?v=1770800635"},{"product_id":"colgrass-m-wild-riot-of-the-shamans-dreams-colgrass-music","title":"Colgrass, M - Wild Riot of the Shaman's Dreams (Colgrass Music)","description":"\u003cp\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInspired by Farley Mowat's book People of the Deer and the playing of the flutist Marina Piccinini, to whom the piece is dedicated, Michael Colgrass has created a solo piece that vividly exploits the technical capabilities of an advanced level player. Full of intensity and power, as wellas great lyric beauty, Wild Riot of Shaman's Dreams describes the craze d behavior of a Ihalmiut Shaman named Kakumee, who lived in the Arctic barrens of North of Manitoba. It is a challenging piece that is an important addition to the solo flute repertoire, by a master composer.\u003c\/p\u003e","brand":"Syrinx Music","offers":[{"title":"Default Title","offer_id":37016641028,"sku":"COL1","price":50.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1548\/4529\/products\/460715277.jpg?v=1489749579"},{"product_id":"bach-cpe-sonata-in-a-minor-wq-132-henle","title":"Bach, CPE - Sonata in A minor Wq 132 (Henle)","description":"\u003ch3\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eFor whom did Carl Philipp Emanuel Bach write his solo sonata? The addressee of the sonata is frequently thought to be the King Friedrich II of Prussia. Yet Bach would not have made music that was exclusively intended for the king available for all. And the Sonata for flute solo was published twice in the 1760s. The riddle is not to be solved. Today the three-movement work is one of the solo pieces that all flautists have to have played once – it is truly regal music. The flautist Karl Kaiser has contributed informed comments on performance practice.\u003c\/p\u003e","brand":"Syrinx Music","offers":[{"title":"Default Title","offer_id":37038082756,"sku":"HN555","price":29.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1548\/4529\/products\/459417602.jpg?v=1489783683"},{"product_id":"suite-flute-solo-schott","title":"Francaix - Suite Flute Solo (Schott)","description":"\u003ch3\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eFrancaix's Suite includes six movements representing modern treatments of some of the most popular dances in French history. 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Only after the score had been printed, did I work with various flutists and realised that all harmonics may be dispensed with. In many harmonics I heard pitch and timbre changes that I did not like. 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The piece then takes a new direction and reveals a short, but dense 'rondo form'. The first part, dominated by the 'D', returns in the midst of contrasting sections until its energy is used up...\"\u003c\/p\u003e","brand":"Syrinx Music","offers":[{"title":"Default Title","offer_id":37044531076,"sku":"BB3166","price":26.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1548\/4529\/products\/cover-medium_large_file.png?v=1554958946"},{"product_id":"bozza-e-14-etudes-arabesque-leduc","title":"Bozza, E - 14 Etudes Arabesque (leduc)","description":"\u003cp\u003eEugene Bozza was a brillant student at the Paris Conservatoire, winning first prizes for the violin, conducting and composition as well as the Prix de Rome. 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The volume entitled The Second Half of the 18th Century (Z. 13536) illustrates the end phase of the Baroque as well as the rise of Classicism. The Vienna Classics (Z. 13537) draws on the works of the \"three great masters\" only. The two volumes of Romantic Flute Virtuosos (Z. 13538 and Z. 13539) contain works by German and French composers.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003ctable class=\"ecwid-description-table\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e1.\u003c\/td\u003e\n\u003ctd\u003e\n\u003cdiv\u003eTulou, Jean Louis: Grand solo\u003c\/div\u003e\n\u003cdiv\u003eop. 96 no. 13\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2.\u003c\/td\u003e\n\u003ctd\u003e\n\u003cdiv\u003eBorne, Francois: Fantaisie brillante sur Carmen (sur l'opera de G. 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Already a popular repertoire work, Sonata Latino was recently featured and analysed in a 5 page article in Flute Talk magazine. Optional parts are available for performance with flute and salsa band as recorded by James Galway. Comprises flute, 2 trumpets, trombone, alto, tennor, baritone, saxophones, piano, bass guitar, drums, 2\/3 percussion. M-708010 32 6 Excerpts from \"Tango Del Fuego\" RCA 0906-63422-2 James Galway, produced \u0026amp; arranged by Mike Mower.\u003c\/p\u003e\n\u003ch3\u003eProgramme Notes\u003c\/h3\u003e\n\u003cp\u003eSonata Latino was written in October 1994 for Kirsten Spratt and Elizabeth Mucha. They asked for a piece in South American style so I wrote this sonata incorporating various Latin rhythms. It is not intended to be a purist representation of the idiom, but to sound how a contemporary latin\/jazz improvising duo might play at a gig. I hoped to capture something of the personality of each country in the music. Although I have no Latin roots, I've loved the music for years and have been lucky enough to tour South America a few times with my Saxophone Quartet Itchy Fingers.\u003c\/p\u003e\n\u003cp\u003eSalsa Montunate As the title suggests, draws from the Cuban\/Venezuelan Salsa. The piece starts with the flute laying down a 2-3 Clave which turns into a Montuno riff. The piano picks up the Montuno whilst playing the off-beat bass line or Tumbao and this is the basic groove for the movement. After the main theme, the flute and piano \"trade fours\" and play a rhythmic percussive section based on the original Clave rhythm.\u003c\/p\u003e\n\u003cp\u003eRumbango You've guessed it - a mixture of Rumba and Tango type rhythms, as found in Columbia and Argentina. The piece starts with a flute cadenza which states the somewhat darker tone for this movement . I wanted to give the feel of the flute being aloof and independent from the rhythmic piano riff. 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